art and fashion
Batbedat's geometrical sculptures resemble architectural structures that, their austerity notwithstanding, contain many symbolical and spiritual references.
Initially Coulentianos focussed on the female body, but gradually his work became more abstract. In the fifties he created sculptures with metal sheets, creating a series of acrobats.
Curie's artwork is imbued with the sacred. It is a dialogue between architecture and sculpture and is characterised by dynamism through imbalance and elevation.
Ma Desheng played a pivotal role in propelling Chinese art into the realm of free expression. His latest work consists of monumental sculptures with the theme of stones.
Dietrich-Mohr's work consists of aerodynamic compositions of geometric shapes with openings that create a sense of movement and monumentality all at once.
Fanny Ferré's figurative sculptures depict groups of nomads that live with nothing but the bare essentials, thus making a statement about human universals.
An abstract sculptor who helped formulate the dominant artistic trend of his time. feeling that a sculpture should 'resemble the sky' his bronze sculptures are polished with a mirror finish.
The figurative, larger than life artwork of Daniel Hourdé is full of symbolism . He creates powerful images of great emotional intensity that nevertheless exude a sense of humor.
Lambrou successfully combines a personal idiom with significant visual and conceptual content. Alongside artwork with abstract themes he also creates figurative sculptures.
Abstract and architectural, Karl-Jean's monumental sculptures are nonetheless intricate, mysterious, poetic and symbolic. Light plays an important role in his work.
Inspired by pre-classical ancient Greek sculpture and modernist trends alike, Loukopoulos became a pioneer of abstract sculpture in Greece.
Memos Makris work is mostly anthropomorphic and combines elements of European art, socialist realism and Ancient Greek sculpture. His last sculptures consisted of a group of cacti.
Marino di Teana disintegrated forms (e.g. by cutting a circle in half), thus creating a third element: the hollow. He then reunited these elements into single monumental compositions.
An abstract artist, Mercier developed an idiom with vertical, curved shapes that play with light. This results in sculptures that are both harmonious as well as dynamic.
Pavlos (Dionyssopoulos) means of expression are painting, collage, construction and sculpture. Through sophisticated compositions he balances between reality and illusion.
A truly versatile artist, Philolaos experimented with various materials and methods. Best known for his monumental artwork, he also created semi-abstract sculptures in smaller sizes.
Interested in pure shapes, Poncet eliminates the inessential to create abstract sculptures. His voluptuous shapes give the impresssion of a wirlwind of motion.
Rokos' surrealistic sculptures are poetic and laden with symbolism, thus defying easy interpretations. With a style all his own Rokos left his distinct mark on postwar Greek sculpture.
Viscerally related to nature, Scrive's sculptures are characterised by verticality. Although abstract, the human and animal element is omnipresent in his artwork.
Simossi's surrealistic sculptures are laden with symbolism. Although reminiscent of classical Greek sculpture, her anthropomorphic figures express fragmentation rather than perfection.
Stahly developed a personal idiom with forms reminiscent of tree roots. His work took another direction when simple, basic forms were grouped together in monumental compositions.
Subira-Puig's sculptures consist of carefully constructed elements that were then pieced together to form anthropomorphic figures. He worked in wood and later in bronze.
Takis (Vassilakis) is a pioneer sculptor who harmoniously blends science with art and employs elemental forces to create works of art that pulsate with energy, vigour and intensity.